Posted December 23rd, 2013 by debritz
As promised, here's my annual list of predictions for Brisbane radio.
It'll be a closely fought race for top position overall and in breakfast, with some failures along the way. More than one show won't make it to the end of the year in its initial form. It will be a year of further cutbacks, job losses and low tolerance for failure. (And, sadly, not much room for experimentation, meaning homogenisation on the mainstream music airwaves. This has already manifested itself nationally with ARN's hiring of Kyle Sandilands and Jackie Henderson, and the reformatting of Mix in Sydney to tackle 2Day an Nova head-on.).
I say with no pleasure but some confidence that 2014 is the year when reality really will begin to bite in the Australian media. While the free-spending days are long gone, many businesses are still spending beyond their means (or at levels that reflect better days). The advertising pie is being sliced more thinly and, despite efforts by industry bodies to spin it otherwise, traditional broadcast radio has lost, and will continue to lose, audiences to other media. It's not out of the question that one network will fail altogether. Despite the brave (some may say arrogant) face they present to the world, the networks know this, and that's why they are investing in online services and digital offerings that may help plug the gaps in their mainstream programming.
For the record, although I was initially enthusiastic about it, I have long believed that broadcast digital radio is a turkey. Its coverage is woeful -- I have friends living just 20 kilometres from the CBD who can't pick it up, making it unsuitable for commuters (even if there were receivers in their cars) -- and its content offering can't even begin to match what's available on the internet. Once new cars are wi-fi (LTE/4G) enabled, it'll be "Goodnight, nurse" for DAB+ in Australia (although digital will continue to be successful in th shortterm in more compact markets).
These predictions are based on the assumption that the new ratings methodology won't throw in too many surprises (and my inclination is that they won't, otherwise Commercial Radio Australia, whose jobs it is to support the status quo, wouldn't have signed up the new provider).
+ 612ABC's Spencer Howson will remain no.1 in breakfast at least for the first half of the survey, as the others sort themselves out. Across the board, 612's fate is linked to how well or how badly 4BC's complete makeover works. If BC flops, 612 will benefit. At the same time, with consistency on its side, the AM crown is Aunty's to lose.
+ It's going to be tough for 4BC to get where it wants to be. An almost-all-new line-up provides an opportunity to rebuild, but I suspect their retooling creates a void in the market rather than fills one. As much as I dislike it personally, right-wing, lowest-common-denominator talk radio is where it's at in the commercial world. Trying to be the "ABC with ads" may make some sort of sense for 2UE in Sydney (which can't hope to beat 2GB at its own game while Alan Jones and Ray Hadley are in place), but it's going to hard to build an audience with that format in Brisbane. As much as I admire Ian Skippen, I don't think he's the right person for breakfast. The station needs a strong, opinionated voice that will bring the listeners in and keep them glued to the station. I'd put Skip in the afternoon slot, where he could provide the post-lunch change of pace with consummate ease. I think Patrick Condren is the strongest of the new bunch recently signed by 4BC, and he's got a good chance of giving 612's Steve Austin a run for his money in the morning shift. Of course, everything could change if the long-mooted merger between Fairfax and Macquarie actually goes through in 2014.
+ The return of Ed Kavalee to the Brsbane airwaves is welcome news -- particularly since he'll actually be in Brisbane this time. But it raises two questions: Is Triple M the right station for his talent and skill set? Will there be enough chemistry between him and Greg "Marto" and Michelle Anderson? My inclination is to answer no on both counts, but I'm happy to be proven wrong. I'd have built a new show around Ed. He's an underrated talent who needs to work with people who are on the same page. (It's such a shame that Tony Martin is persona non grata at Southern Cross Austereo.)
+ Triple M's sister station B105 has a challenge on its hands. In the grand scheme of things, it's not doing too badly, but it's not the must-listen-to station that it used to be. At the time of writing, Southern Cross Austereo has chosen not to tinker with the breakfast show line-up, as doing so would almost certainly lead to an at-least-temporary ratings slump. However, given it is launching new breakfast shows on its Today stations in Sydney and Melbourne, it must have been tempted to do so as part of a network wide facelift. While it ain't really broken, it does need to be fixed. The real battle is with the music offering. The programming experts can say what they like, but many teenagers and young adults follow the songs rather than the on-air talent.
+ 97.3Fm runs the risk of falling victim to "friendly fire". The launch of Kiis 106.5 in Sydney will mean some further tinkering with the successful Brisbane format to accommodate a Kyle Sandilands and Jackie O "best-of" in the evenings, and Ryan Seacrest in the nights. They risk losing at least some of the female grocery shoppers coveted by advertisers, and that doesn't seem like a particularly wise move to me. Having said that, the breakfast show should remain strong if they don't change the music too much.
+ Nova 106.9 is looking good for a strong year, although changes behind the scenes -- especially the loss of foundation station manager Sean Ryan -- could be felt on air. My advice to the DMG bosses down south is to realise the uniqueness of the Brisbane market and to give the station some credit for succeeding as well as it has. Ash, Kip and Luttsy are likely to remain near or at the top of the commercial tree in breakfast. The loss of Brisbane favourite Meshel Laurie, who has moved from network drive to Melbourne breakfast, may be felt.
+ The fates of 4KQ and Magic 882 (formerly 4BH) are intertwined. If Magic gets a bit too contemporary with its music choices, KQ will reap the benefit. If KQ doesn't mind its knitting, Magic may steal the advantage.
+ The "dark horse" to watch is Triple J, which did very well in the Brisbane market at the time. I believe that the Js are batting above their average because of dissatisfaction with the mainstream FM music stations. As I said at the beginning, this brave new world of commercial radio leaves little room for experimentation. Playlists are conservative, and people who want to find new music are looking to Triple J and the internet.
Posted November 17th, 2013 by debritz
I was recently asked when I was going to publish my almost-annual list of Australian radio predictions.
Well, when I sat down to make a start, I realised it was a bit too early to make meaningful predictions for 2014, given that many stations have still not confirmed their on-air line-ups.
So, instead, here's a list of things I would like to hear on the radio in 2013:
"For #@+*'s sake, I'm a 40-year-old man. I am not the least bit excited by the fact that One Direction are coming into the studio this morning, unless I get the chance to kick one of the talentless twerps in the goolies."
"Cheryl, stop gushing like you're the only woman in the world who as ever had a baby. If you tell one more cutesy story about your illbegotten offspring, I will projectile vomit over you and the entire studio."
"This being the ABC, I am not supposed to venture a personal opinion on air, but after what you just said Cyril, I'm prepared to risk my career and make an exception."
"If you really think we get this perky in the morning just by drinking products from our sponsor, Coca-Cola, you are very much mistaken."
"Actually, Bruce of Logan, you are a hateful, bigoted old man who has never achieved anything of significance in your miserable life and rather than be angry with yourself, you have externalised the blame on people who are making an honest effort to make a go of their lives, and are prepared to risk what little they have to create a brighter future for their families."
"You know what Shazza, I am constantly amazed by the extent to which so many of our listeners are prepared to demean themselves to win a worthless prize we contra-ed from one of the advertisers."
"Rather than hook young Darlene up to the lie-detector, I'm going to attach it to myself and tell you all what I really think."
"If you don't stop perving at me and aiming sexist remarks in my direction Bazza, I'll email those pictures from the last Commercial Radio Awards function to your girlfriend."
"Despite explicit instructions to the contrary from station management, I have decided to henceforth refer to myself by my given name, Michael, rather than the childish epithet of 'Beano'."
"Who are we kidding, we know most of you are only listening because you like the music, and that you change station whenever an ad comes on or we start talking."
"And the whole gang from the station will be at the big listeners' party on Friday night, even though we'd rather apply a dentist's drill to our eyeballs."
"Do you seriously think I would actually use any of these crap products I endorse on air? I have to put on surgical gloves just to touch the huge wads of cash they pay for me doing it."
"No, by all means, do keep talking Doris. It's 3 o'clock in the morning, nobody else is listening and, on the money they're paying me for this graveyard shift, I literally do not have a home to go to."
"I hate you all."